<rss version="2.0"
	xmlns:content="http://purl.org/rss/1.0/modules/content/"
	xmlns:wfw="http://wellformedweb.org/CommentAPI/"
	xmlns:dc="http://purl.org/dc/elements/1.1/"
	xmlns:media="http://search.yahoo.com/mrss/"
	
	>

<channel>
	<title>Tewa Barnosa</title>
	<link>https://tewabarnosa.com</link>
	<description>Tewa Barnosa</description>
	<pubDate>Mon, 26 Oct 2026 16:14:04 +0000</pubDate>
	<generator>https://tewabarnosa.com</generator>
	<language>en</language>
	
		
	<item>
		<title>Index</title>
				
		<link>https://tewabarnosa.com/Index</link>

		<pubDate>Tue, 18 Oct 2022 19:29:34 +0000</pubDate>

		<dc:creator>Tewa Barnosa</dc:creator>

		<guid isPermaLink="true">https://tewabarnosa.com/Index</guid>

		<description>
	
	
	
	
Video/Film &#38;nbsp;Performance &#38;nbsp;Installation &#38;nbsp;Paintings &#38;nbsp;Text &#38;nbsp;Sound Curatorial projects Collaborations &#38;nbsp;</description>
		
	</item>
		
		
	<item>
		<title>Info</title>
				
		<link>https://tewabarnosa.com/Info</link>

		<pubDate>Tue, 18 Oct 2022 19:29:35 +0000</pubDate>

		<dc:creator>Tewa Barnosa</dc:creator>

		<guid isPermaLink="true">https://tewabarnosa.com/Info</guid>

		<description>
	
Tewa Barnosa (1998) is an interdisciplinary artist and cultural worker based between Tripoli and Amsterdam. Her practice spans installation, painting, and time-based media, including film essays, sound works, and performance. Her work carries an inquiry and speculation around spatial and infrastructural violence, extractive technology, inherited memories and transmissions from lands, communities and species that outlasts the aftermath of colonial continuum. Her process unfolds along two interconnected trajectories: a sonic evocation and oral tradition of collective vocality, rhythms and anti-colonial poetry rooted in Amazigh and Bedouin knowledge systems, electro-acoustic compositions and field recordings. A trajectory of visual and image based research into politics of the archive, questioning the roles of imagery, iconography, video games and cinema in constructing or manipulating past and ongoing political imaginaries.


Her pedagogical and socially engaged practice emerged through establishing collective infrastructures in post-revolution Libya. Between 2015 and 2023, she initiated and directed WaraQ, an art space and laboratory based in Tripoli. During this period, she curated and led several projects situated within the knowledge and lived realities of the Libyan civil war, including Totalitarian Props (2023), an exhibition on the socio-political implications of Pan-Africanism and Pan-Arabism movements; Shifting Sands (2021), a mentorship program and exhibition bringing together artists, activists, and academics across Libya around methods of archiving; Kashkoul of Collective Resistance (2020), a collaborative publication reflecting on life under bombardment during the pandemic; and ArtOut (2018), a series of artistic gatherings in the public spaces of Tripoli's Old City.
Barnosa is an alumni of the Institute of Sonology at the Royal Conservatoire in The Hague 2024-2025. A resident at the Rijksakademie van beeldende Kunsten 2021-2023, a recipient of S+T+Arts and Arts Electronica African distinction awards 2025, the Iwaelwahaus African Artist Award 2021, and the Berlin-based fellowship for artists at risk by the Martin Roth initiative 2019-2020. 

EMAIL&#38;nbsp;
VIMEO 







	


</description>
		
	</item>
		
		
	<item>
		<title>Silphium Extant</title>
				
		<link>https://tewabarnosa.com/Silphium-Extant</link>

		<pubDate>Fri, 23 Oct 2026 09:23:12 +0000</pubDate>

		<dc:creator>Tewa Barnosa</dc:creator>

		<guid isPermaLink="true">https://tewabarnosa.com/Silphium-Extant</guid>

		<description>
	


	




Silphium ExtantTwo channel video, archival footage and animations
12:00&#38;nbsp;minutes
2026




	



In the video Silphium Extant, silphium, an ancient plant once native to the lands of Libya and historically regarded as the earliest recorded human-caused extinction, returns in fugitivity, resisting the measurable time of empires. It continues to inhabit the ruins of worlds deemed ungrievable. Through investigating the notion of “prophecy as policy”, the silphium plant, situated between myth and memory, becomes entangled with the hidden histories of early 20th century Fascism. 

 





	
Touch designer aimations created by collaborator and Cairo based artist Dina JereidiniContact for full preview link.





 
</description>
		
	</item>
		
		
	<item>
		<title>Silphium 1911-1942</title>
				
		<link>https://tewabarnosa.com/Silphium-1911-1942</link>

		<pubDate>Mon, 26 Oct 2026 16:14:04 +0000</pubDate>

		<dc:creator>Tewa Barnosa</dc:creator>

		<guid isPermaLink="true">https://tewabarnosa.com/Silphium-1911-1942</guid>

		<description>
	


	




Silphium 1911-1942Painting

2026




	







	












&#60;img width="667" height="1000" width_o="667" height_o="1000" data-src="https://freight.cargo.site/t/original/i/3ae90d85850a094a8cbe53c321de353bc8e38e3c1a134387e9a02a518a8544ff/2026.10.22-Tewa-Barnosa-solo-exhibition-at-moezeumLW-9.jpg" data-mid="253709321" border="0"  src="https://freight.cargo.site/w/667/i/3ae90d85850a094a8cbe53c321de353bc8e38e3c1a134387e9a02a518a8544ff/2026.10.22-Tewa-Barnosa-solo-exhibition-at-moezeumLW-9.jpg" /&#62;
&#60;img width="667" height="1000" width_o="667" height_o="1000" data-src="https://freight.cargo.site/t/original/i/fd6467f3b8129354d74ee1ea34ec4d01459c5855c8f6facf0216396fa9c7068f/2026.10.22-Tewa-Barnosa-solo-exhibition-at-moezeumLW-10.jpg" data-mid="253709320" border="0"  src="https://freight.cargo.site/w/667/i/fd6467f3b8129354d74ee1ea34ec4d01459c5855c8f6facf0216396fa9c7068f/2026.10.22-Tewa-Barnosa-solo-exhibition-at-moezeumLW-10.jpg" /&#62;
&#60;img width="667" height="1000" width_o="667" height_o="1000" data-src="https://freight.cargo.site/t/original/i/d88b3743f0b492e9ce24ec6e6eb1ed1cc603679a92e0756629fec0c7c2df4aac/2026.10.22-Tewa-Barnosa-solo-exhibition-at-moezeumLW-11.jpg" data-mid="253709323" border="0"  src="https://freight.cargo.site/w/667/i/d88b3743f0b492e9ce24ec6e6eb1ed1cc603679a92e0756629fec0c7c2df4aac/2026.10.22-Tewa-Barnosa-solo-exhibition-at-moezeumLW-11.jpg" /&#62;
&#60;img width="667" height="1000" width_o="667" height_o="1000" data-src="https://freight.cargo.site/t/original/i/b0a750630fb2a1ea5fb5418a40333f9d0550638e1564b09784df3baa3c3af7a2/2026.10.22-Tewa-Barnosa-solo-exhibition-at-moezeumLW-8.jpg" data-mid="253709322" border="0"  src="https://freight.cargo.site/w/667/i/b0a750630fb2a1ea5fb5418a40333f9d0550638e1564b09784df3baa3c3af7a2/2026.10.22-Tewa-Barnosa-solo-exhibition-at-moezeumLW-8.jpg" /&#62;

</description>
		
	</item>
		
		
	<item>
		<title>Spectre of Eni</title>
				
		<link>https://tewabarnosa.com/Spectre-of-Eni</link>

		<pubDate>Sun, 25 Oct 2026 12:11:06 +0000</pubDate>

		<dc:creator>Tewa Barnosa</dc:creator>

		<guid isPermaLink="true">https://tewabarnosa.com/Spectre-of-Eni</guid>

		<description>
	


	




Spectre of EniTextile print, 150*300 cm

2026




	



 A textile banner of a fourteen-legged dog, its head turned backward and its tongue trailing fire – a spectral evocation of Eni, the Italian National Oil Company. Here, it is refigured as a creature tainted with Fascistic desires for extraction and infrastructural violence. The original dog design was selected as Eni’s logo through an open call for artists in the 1950s: a constructed symbol of progress and acceleration, turned a colonial icon of the oil industry.

 





	













&#60;img width="1000" height="667" width_o="1000" height_o="667" data-src="https://freight.cargo.site/t/original/i/ea42006631a39356e8a0dc3b66549d61d524e806ec44cc13ed88a9556caef523/2026.10.22-Tewa-Barnosa-solo-exhibition-at-moezeumLW-57.jpg" data-mid="253682282" border="0"  src="https://freight.cargo.site/w/1000/i/ea42006631a39356e8a0dc3b66549d61d524e806ec44cc13ed88a9556caef523/2026.10.22-Tewa-Barnosa-solo-exhibition-at-moezeumLW-57.jpg" /&#62;
&#60;img width="1000" height="667" width_o="1000" height_o="667" data-src="https://freight.cargo.site/t/original/i/ceffd3bb97adf6d87a6d569c3417b6a901e5230ac04060108c10d179c3725571/2026.10.22-Tewa-Barnosa-solo-exhibition-at-moezeumLW-58.jpg" data-mid="253682281" border="0"  src="https://freight.cargo.site/w/1000/i/ceffd3bb97adf6d87a6d569c3417b6a901e5230ac04060108c10d179c3725571/2026.10.22-Tewa-Barnosa-solo-exhibition-at-moezeumLW-58.jpg" /&#62;
&#60;img width="1000" height="667" width_o="1000" height_o="667" data-src="https://freight.cargo.site/t/original/i/37ff6ed2a49b99ffd9391d7c7fc5b4c48f6d377b9a66508d12f9e70181c43f06/2026.10.22-Tewa-Barnosa-solo-exhibition-at-moezeumLW-62.jpg" data-mid="253682284" border="0"  src="https://freight.cargo.site/w/1000/i/37ff6ed2a49b99ffd9391d7c7fc5b4c48f6d377b9a66508d12f9e70181c43f06/2026.10.22-Tewa-Barnosa-solo-exhibition-at-moezeumLW-62.jpg" /&#62;
&#60;img width="667" height="1000" width_o="667" height_o="1000" data-src="https://freight.cargo.site/t/original/i/574a7b5535968ce967134e495f1ee39d32ebc28ac1087a70c81c0e59d4502334/2026.10.22-Tewa-Barnosa-solo-exhibition-at-moezeumLW-56.jpg" data-mid="253682283" border="0"  src="https://freight.cargo.site/w/667/i/574a7b5535968ce967134e495f1ee39d32ebc28ac1087a70c81c0e59d4502334/2026.10.22-Tewa-Barnosa-solo-exhibition-at-moezeumLW-56.jpg" /&#62;


</description>
		
	</item>
		
		
	<item>
		<title>Against Fascist Taxonomy</title>
				
		<link>https://tewabarnosa.com/Against-Fascist-Taxonomy</link>

		<pubDate>Mon, 26 Oct 2026 15:34:56 +0000</pubDate>

		<dc:creator>Tewa Barnosa</dc:creator>

		<guid isPermaLink="true">https://tewabarnosa.com/Against-Fascist-Taxonomy</guid>

		<description>
	


	




Against Fascist TaxonomyDrawings, ink, pastels and cryons
2026




	



&#38;nbsp;



	












&#60;img width="1000" height="667" width_o="1000" height_o="667" data-src="https://freight.cargo.site/t/original/i/3885e9979e0ded06eb2a25ff968b6576317bdb94005680c3f87fb6315404b648/2026.10.22-Tewa-Barnosa-solo-exhibition-at-moezeumLW-47.jpg" data-mid="253708905" border="0"  src="https://freight.cargo.site/w/1000/i/3885e9979e0ded06eb2a25ff968b6576317bdb94005680c3f87fb6315404b648/2026.10.22-Tewa-Barnosa-solo-exhibition-at-moezeumLW-47.jpg" /&#62;
&#60;img width="1000" height="667" width_o="1000" height_o="667" data-src="https://freight.cargo.site/t/original/i/cbce0314d4c799faa1b0e3358b519831d6c7942d10d6e7d52120779347c42e7a/2026.10.22-Tewa-Barnosa-solo-exhibition-at-moezeumLW-40.jpg" data-mid="253708912" border="0"  src="https://freight.cargo.site/w/1000/i/cbce0314d4c799faa1b0e3358b519831d6c7942d10d6e7d52120779347c42e7a/2026.10.22-Tewa-Barnosa-solo-exhibition-at-moezeumLW-40.jpg" /&#62;
&#60;img width="667" height="1000" width_o="667" height_o="1000" data-src="https://freight.cargo.site/t/original/i/6a7e50b7b9e431513008f66b5c6960fae31f2762a4fedc15780cb375f75af565/2026.10.22-Tewa-Barnosa-solo-exhibition-at-moezeumLW-46.jpg" data-mid="253708906" border="0"  src="https://freight.cargo.site/w/667/i/6a7e50b7b9e431513008f66b5c6960fae31f2762a4fedc15780cb375f75af565/2026.10.22-Tewa-Barnosa-solo-exhibition-at-moezeumLW-46.jpg" /&#62;
&#60;img width="667" height="1000" width_o="667" height_o="1000" data-src="https://freight.cargo.site/t/original/i/013f68b52ae4e1c75ace931bc9c90c6534c70140522a159a03d86ebea5b1f6a4/2026.10.22-Tewa-Barnosa-solo-exhibition-at-moezeumLW-48.jpg" data-mid="253708904" border="0"  src="https://freight.cargo.site/w/667/i/013f68b52ae4e1c75ace931bc9c90c6534c70140522a159a03d86ebea5b1f6a4/2026.10.22-Tewa-Barnosa-solo-exhibition-at-moezeumLW-48.jpg" /&#62;


&#60;img width="1000" height="667" width_o="1000" height_o="667" data-src="https://freight.cargo.site/t/original/i/1ba022cabda1c7173e661cc1d190b9a11a400a431a52dd91efc54582d5fc7550/2026.10.22-Tewa-Barnosa-solo-exhibition-at-moezeumLW-45.jpg" data-mid="253708907" border="0"  src="https://freight.cargo.site/w/1000/i/1ba022cabda1c7173e661cc1d190b9a11a400a431a52dd91efc54582d5fc7550/2026.10.22-Tewa-Barnosa-solo-exhibition-at-moezeumLW-45.jpg" /&#62;
&#60;img width="1000" height="667" width_o="1000" height_o="667" data-src="https://freight.cargo.site/t/original/i/dac96d25d50b521afd6846a68c82ddf761311030075b3c238b5d878717782c1b/2026.10.22-Tewa-Barnosa-solo-exhibition-at-moezeumLW-43.jpg" data-mid="253708909" border="0"  src="https://freight.cargo.site/w/1000/i/dac96d25d50b521afd6846a68c82ddf761311030075b3c238b5d878717782c1b/2026.10.22-Tewa-Barnosa-solo-exhibition-at-moezeumLW-43.jpg" /&#62;
&#60;img width="1000" height="667" width_o="1000" height_o="667" data-src="https://freight.cargo.site/t/original/i/69c67f002937dd26919126fb84b5a105120c8a53a05d8ae5185d23c499aeb847/2026.10.22-Tewa-Barnosa-solo-exhibition-at-moezeumLW-44.jpg" data-mid="253708908" border="0"  src="https://freight.cargo.site/w/1000/i/69c67f002937dd26919126fb84b5a105120c8a53a05d8ae5185d23c499aeb847/2026.10.22-Tewa-Barnosa-solo-exhibition-at-moezeumLW-44.jpg" /&#62;
&#60;img width="1000" height="667" width_o="1000" height_o="667" data-src="https://freight.cargo.site/t/original/i/43da32647c0850b3923dc7d0c2c7ef1170701618b2809c6138ca435d7b8b2959/2026.10.22-Tewa-Barnosa-solo-exhibition-at-moezeumLW-42.jpg" data-mid="253708910" border="0"  src="https://freight.cargo.site/w/1000/i/43da32647c0850b3923dc7d0c2c7ef1170701618b2809c6138ca435d7b8b2959/2026.10.22-Tewa-Barnosa-solo-exhibition-at-moezeumLW-42.jpg" /&#62;
&#60;img width="1000" height="667" width_o="1000" height_o="667" data-src="https://freight.cargo.site/t/original/i/6307c4d63d38f536a19789018e4160df670fbfb5bda0c918546f910e9bab4b9c/2026.10.22-Tewa-Barnosa-solo-exhibition-at-moezeumLW-41.jpg" data-mid="253708911" border="0"  src="https://freight.cargo.site/w/1000/i/6307c4d63d38f536a19789018e4160df670fbfb5bda0c918546f910e9bab4b9c/2026.10.22-Tewa-Barnosa-solo-exhibition-at-moezeumLW-41.jpg" /&#62;
</description>
		
	</item>
		
		
	<item>
		<title>Al-Shaheed / The Martyr</title>
				
		<link>https://tewabarnosa.com/Al-Shaheed-The-Martyr</link>

		<pubDate>Mon, 26 Oct 2026 15:49:49 +0000</pubDate>

		<dc:creator>Tewa Barnosa</dc:creator>

		<guid isPermaLink="true">https://tewabarnosa.com/Al-Shaheed-The-Martyr</guid>

		<description>
	


	




Al-Shaheed / The MartyrTextiles
2026




	



&#38;nbsp;



	














&#60;img width="667" height="1000" width_o="667" height_o="1000" data-src="https://freight.cargo.site/t/original/i/ca1ab95c14ac8cadb0e6d3e0bd47a2395f996263c4bda9056e691ff152ab8caf/2026.10.22-Tewa-Barnosa-solo-exhibition-at-moezeumLW.jpg" data-mid="253709061" border="0"  src="https://freight.cargo.site/w/667/i/ca1ab95c14ac8cadb0e6d3e0bd47a2395f996263c4bda9056e691ff152ab8caf/2026.10.22-Tewa-Barnosa-solo-exhibition-at-moezeumLW.jpg" /&#62;
&#60;img width="667" height="1000" width_o="667" height_o="1000" data-src="https://freight.cargo.site/t/original/i/982379820fec75ca9b0ff7db823f7bf05e99a69a9a883e96c616e4eb66fcc184/2026.10.22-Tewa-Barnosa-solo-exhibition-at-moezeumLW-28.jpg" data-mid="253709060" border="0"  src="https://freight.cargo.site/w/667/i/982379820fec75ca9b0ff7db823f7bf05e99a69a9a883e96c616e4eb66fcc184/2026.10.22-Tewa-Barnosa-solo-exhibition-at-moezeumLW-28.jpg" /&#62;
&#60;img width="667" height="1000" width_o="667" height_o="1000" data-src="https://freight.cargo.site/t/original/i/4e9eaf3cfa36f5c82fbb4ac238eaaf07caa44cb5b31d8bcfb104fa7652977c9c/2026.10.22-Tewa-Barnosa-solo-exhibition-at-moezeumLW-32.jpg" data-mid="253709066" border="0"  src="https://freight.cargo.site/w/667/i/4e9eaf3cfa36f5c82fbb4ac238eaaf07caa44cb5b31d8bcfb104fa7652977c9c/2026.10.22-Tewa-Barnosa-solo-exhibition-at-moezeumLW-32.jpg" /&#62;
&#60;img width="667" height="1000" width_o="667" height_o="1000" data-src="https://freight.cargo.site/t/original/i/c253565701b50015d9631b7b132720c6d8f2266c9578917377103cc12213a393/2026.10.22-Tewa-Barnosa-solo-exhibition-at-moezeumLW-31.jpg" data-mid="253709057" border="0"  src="https://freight.cargo.site/w/667/i/c253565701b50015d9631b7b132720c6d8f2266c9578917377103cc12213a393/2026.10.22-Tewa-Barnosa-solo-exhibition-at-moezeumLW-31.jpg" /&#62;
&#60;img width="667" height="1000" width_o="667" height_o="1000" data-src="https://freight.cargo.site/t/original/i/d4a99ad93ee38cb4454f4e5fa316bf540b00394ee62eb6d56cd12202d638a079/2026.10.22-Tewa-Barnosa-solo-exhibition-at-moezeumLW-29.jpg" data-mid="253709059" border="0"  src="https://freight.cargo.site/w/667/i/d4a99ad93ee38cb4454f4e5fa316bf540b00394ee62eb6d56cd12202d638a079/2026.10.22-Tewa-Barnosa-solo-exhibition-at-moezeumLW-29.jpg" /&#62;
&#60;img width="1000" height="667" width_o="1000" height_o="667" data-src="https://freight.cargo.site/t/original/i/c7a7b77db50767d764d991a4a63d743038722d7218067979541c73ea2133380d/2026.10.22-Tewa-Barnosa-solo-exhibition-at-moezeumLW-2.jpg" data-mid="253709062" border="0"  src="https://freight.cargo.site/w/1000/i/c7a7b77db50767d764d991a4a63d743038722d7218067979541c73ea2133380d/2026.10.22-Tewa-Barnosa-solo-exhibition-at-moezeumLW-2.jpg" /&#62;
&#60;img width="1000" height="667" width_o="1000" height_o="667" data-src="https://freight.cargo.site/t/original/i/17d346ec0ba4b6bc3a0a5f6e51de782333c6d882ff9fa2d82e72c1e552b2d658/2026.10.22-Tewa-Barnosa-solo-exhibition-at-moezeumLW-63.jpg" data-mid="253709067" border="0"  src="https://freight.cargo.site/w/1000/i/17d346ec0ba4b6bc3a0a5f6e51de782333c6d882ff9fa2d82e72c1e552b2d658/2026.10.22-Tewa-Barnosa-solo-exhibition-at-moezeumLW-63.jpg" /&#62;
&#60;img width="1000" height="667" width_o="1000" height_o="667" data-src="https://freight.cargo.site/t/original/i/b0b691f6e63cd8fc06bd4522b43fc1d988c86554c75f942fa48e7a50004342d0/2026.10.22-Tewa-Barnosa-solo-exhibition-at-moezeumLW-49.jpg" data-mid="253709300" border="0"  src="https://freight.cargo.site/w/1000/i/b0b691f6e63cd8fc06bd4522b43fc1d988c86554c75f942fa48e7a50004342d0/2026.10.22-Tewa-Barnosa-solo-exhibition-at-moezeumLW-49.jpg" /&#62;

</description>
		
	</item>
		
		
	<item>
		<title>Gaddafi's Green: Revolution Against a Revolution</title>
				
		<link>https://tewabarnosa.com/Gaddafi-s-Green-Revolution-Against-a-Revolution</link>

		<pubDate>Fri, 23 Oct 2026 09:23:16 +0000</pubDate>

		<dc:creator>Tewa Barnosa</dc:creator>

		<guid isPermaLink="true">https://tewabarnosa.com/Gaddafi-s-Green-Revolution-Against-a-Revolution</guid>

		<description>
	


	




Gaddafi's Green: Revolution Against a RevolutionVideo, found footage
04’minutes
2026




	



Ghaddafi's Green is a critical take and satire on the instrumentalisation of Pan-Africanism and Pan-Arabism as revolutionary ideologies, framed within flattened nostalgic tendencies throughout the representation of Libya's political history and post-2011 revolution reality.

 





	












&#60;img width="1075" height="806" width_o="1075" height_o="806" data-src="https://freight.cargo.site/t/original/i/6e25617503605ee3411b0112d936db136490eaf80114f8a5022fe94485d2dd95/ghaddafi-s-green-2.png" data-mid="253617142" border="0"  src="https://freight.cargo.site/w/1000/i/6e25617503605ee3411b0112d936db136490eaf80114f8a5022fe94485d2dd95/ghaddafi-s-green-2.png" /&#62;
&#60;img width="1073" height="802" width_o="1073" height_o="802" data-src="https://freight.cargo.site/t/original/i/635ce6d577d78f0e6fcad5f1d66e625f19142870f89db4142e360433c5671d32/ghaddafi-s-green-3.png" data-mid="253617141" border="0"  src="https://freight.cargo.site/w/1000/i/635ce6d577d78f0e6fcad5f1d66e625f19142870f89db4142e360433c5671d32/ghaddafi-s-green-3.png" /&#62;
&#60;img width="1071" height="801" width_o="1071" height_o="801" data-src="https://freight.cargo.site/t/original/i/03c578472e445707b5a11120286901d9ba80a56d531e1df15e01a6dfd12380ed/ghaddaf-s-green-1.png" data-mid="253617140" border="0"  src="https://freight.cargo.site/w/1000/i/03c578472e445707b5a11120286901d9ba80a56d531e1df15e01a6dfd12380ed/ghaddaf-s-green-1.png" /&#62;
&#60;img width="500" height="500" width_o="500" height_o="500" data-src="https://freight.cargo.site/t/original/i/338ec50eee02176bbc657af6e3888513ef72c7ca99f1272791dc8d2bba688dee/template_clip_image001_0013.gif" data-mid="253617119" border="0"  src="https://freight.cargo.site/w/500/i/338ec50eee02176bbc657af6e3888513ef72c7ca99f1272791dc8d2bba688dee/template_clip_image001_0013.gif" /&#62;

</description>
		
	</item>
		
		
	<item>
		<title>The Insurgence of Ghibli Winds - Warlabs Triology P1</title>
				
		<link>https://tewabarnosa.com/The-Insurgence-of-Ghibli-Winds-Warlabs-Triology-P1</link>

		<pubDate>Sun, 10 Aug 2025 12:41:02 +0000</pubDate>

		<dc:creator>Tewa Barnosa</dc:creator>

		<guid isPermaLink="true">https://tewabarnosa.com/The-Insurgence-of-Ghibli-Winds-Warlabs-Triology-P1</guid>

		<description>
	


	


The Insurgence of Ghibli Winds&#38;nbsp;The Warlabs Triology P1
25’ Min
2025




	



Departing from an event that shaped the mechanisms for asymmetrical warfare, when an Italian pilot executed the first aerial bombing in history over an oasis in Tripoli during the Italo Turkish Senussi war in 1911, a colonial industry of desert domination was established through wheels and wings.

Tracing the temporal path of imperial vertical power in the landscape leads to acts of geographic defiance against American imperialism between the 1980s and 1990's in Libya that set the tone of the "War on Terror" propaganda, navigated in the film through military archival footage and early computer graphics from American games produced in the 80's where a pilot leads a mission to destroy imagined nuclear plants in the gulf of Sirte by the central Libyan coast.




	
The narration unfolds in a dialogue between the Ghibli winds and Caproni, the Italian designer of Ghibli aircraft, the film traces the struggle to resist colonial violence and reclaim the indigenous Ghibli winds as an insurgent rebel, an entity that can’t be tamed, claimed or manufactured, against the backdrop of surveilled skies and militarized Sahara.
-The Warlab trilogy is a series of experimental docu-fiction films investigating the gamification of the military industrial complex, navigating histories and speculations around warfare tactics and theatrics to question the influence of fascism on the game industry and vice versa. Utilizing game archeology, world-building, archival footage and RPG video games where Libya and the African Sahel is situated as a frontline for militarised operations led by imperial propaganda.









	Film stills:
&#60;img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/d3d8b79d6f3fc6fd7ea4d0ff8a0499c03fdcf9523c735d8b89327975ad805d80/thumb20.jpg" data-mid="240198776" border="0" data-scale="100" src="https://freight.cargo.site/w/1000/i/d3d8b79d6f3fc6fd7ea4d0ff8a0499c03fdcf9523c735d8b89327975ad805d80/thumb20.jpg" /&#62;&#60;img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/3c2e2c964eedea79a16f5a6845d22729d6b7119e961fe4686fe7b8bc33225d93/thumb23.jpg" data-mid="240198835" border="0"  src="https://freight.cargo.site/w/1000/i/3c2e2c964eedea79a16f5a6845d22729d6b7119e961fe4686fe7b8bc33225d93/thumb23.jpg" /&#62;
&#60;img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/39030cc0c727f8dcb2363aa961c77b836498dcc6005a8fb062afde2041ebd190/thumb26.jpg" data-mid="240198833" border="0"  src="https://freight.cargo.site/w/1000/i/39030cc0c727f8dcb2363aa961c77b836498dcc6005a8fb062afde2041ebd190/thumb26.jpg" /&#62;&#60;img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/35e59755dca1719f99273896690086608b7ffa59b1494ff6f4cd275c5442a85d/thumb24.jpg" data-mid="240198839" border="0"  src="https://freight.cargo.site/w/1000/i/35e59755dca1719f99273896690086608b7ffa59b1494ff6f4cd275c5442a85d/thumb24.jpg" /&#62;&#60;img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/557bf4739f527fac1659e26f59b5b4bfd2b87d1fbd3ebdfff39019a40f1b72b9/thumb22.jpg" data-mid="240198836" border="0" data-scale="50" src="https://freight.cargo.site/w/1000/i/557bf4739f527fac1659e26f59b5b4bfd2b87d1fbd3ebdfff39019a40f1b72b9/thumb22.jpg" /&#62;&#60;img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/bb3d76ba043bd8e080b04b32c94678e40ee362a700c027c2e31985bd9c73577a/thumb25.jpg" data-mid="240198834" border="0" data-scale="50" src="https://freight.cargo.site/w/1000/i/bb3d76ba043bd8e080b04b32c94678e40ee362a700c027c2e31985bd9c73577a/thumb25.jpg" /&#62;&#60;img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/5e20c69a1bb66524061ee8b3b0587a3415a17a01b6a3fda20c2246691460f0ee/thumb28.jpg" data-mid="240198831" border="0" data-scale="100" src="https://freight.cargo.site/w/1000/i/5e20c69a1bb66524061ee8b3b0587a3415a17a01b6a3fda20c2246691460f0ee/thumb28.jpg" /&#62;
&#60;img width="1251" height="698" width_o="1251" height_o="698" data-src="https://freight.cargo.site/t/original/i/0aa9d0ff48465dcc72f148f2e42203c07f10ab58a6fb5fd8154696cb1c930e15/Screenshot-2025-10-31-at-11.30.34.png" data-mid="240199873" border="0" data-scale="100" src="https://freight.cargo.site/w/1000/i/0aa9d0ff48465dcc72f148f2e42203c07f10ab58a6fb5fd8154696cb1c930e15/Screenshot-2025-10-31-at-11.30.34.png" /&#62;
&#60;img width="1272" height="711" width_o="1272" height_o="711" data-src="https://freight.cargo.site/t/original/i/48a33ce0acdcda7a38ea22f8f7d576f14308b48ae45b563623ba8c2e61a515f3/Screenshot-2025-08-09-at-17.35.54.png" data-mid="236876299" border="0" data-scale="90" src="https://freight.cargo.site/w/1000/i/48a33ce0acdcda7a38ea22f8f7d576f14308b48ae45b563623ba8c2e61a515f3/Screenshot-2025-08-09-at-17.35.54.png" /&#62;
&#60;img width="888" height="673" width_o="888" height_o="673" data-src="https://freight.cargo.site/t/original/i/fe1eaf8ff6d114eeac1342d7e431f507fde6bffe6d68dafe9d0485ca1e111d45/Screenshot-2025-08-09-at-17.37.01.png" data-mid="236876298" border="0" data-scale="100" src="https://freight.cargo.site/w/888/i/fe1eaf8ff6d114eeac1342d7e431f507fde6bffe6d68dafe9d0485ca1e111d45/Screenshot-2025-08-09-at-17.37.01.png" /&#62;

</description>
		
	</item>
		
		
	<item>
		<title>In Yesterday's Forecasts</title>
				
		<link>https://tewabarnosa.com/In-Yesterday-s-Forecasts</link>

		<pubDate>Fri, 01 Aug 2025 12:35:00 +0000</pubDate>

		<dc:creator>Tewa Barnosa</dc:creator>

		<guid isPermaLink="true">https://tewabarnosa.com/In-Yesterday-s-Forecasts</guid>

		<description>
	


	




In Yesterday’s ForecastsPerformance In collaboration with ghenwa noire abou fayad
50’minutes
2025




	



When the Silphium plant was discovered in ancient Cyrenaica (East Libya) after heavy rains and floods that hit the Mediterranean, it became a pillar of the economy and expansion of The Greek and Roman colonies until it was overharvested, heavily exploited, and documented as the first extinction of a species in our natural history. Centuries later, the Silphium returned as a symbol of the fascist reign on the Italian coat of arms when they colonized Libya in 1911, followed by establishing more than seventeen concentration camps where a third of Cyrenaica’s population was exterminated; yet, their poetry survives, and so does the memory of the Silphium. 

 





	
The performance “In Yesterday’s Forecasts” explores connections between the first documented extinction and the mass-extermination of the Libyan people during the Libyan genocide (1928-1942). The lost Silphium plant and Fascism hidden histories become intertwined in a composition of recitations, soundscapes, visual worlds of the archival and the imaginary, testimonial poems and oralities based on Tamazight and Bedouin poetry. In sonic dialogue with the ancient tradition of millstone grinding known across North Africa as Al Raha.







 


Credits:
Concept, research and development: Tewa BarnosaPerformers: Tewa Barnosa and ghenwa noire abou fayadLive sound composition: 

ghenwa noire

Performance visuals: Dina Jeridini
Light design: Consuelo Donati and Tewa Barnosa
Scenography: Tewa Barnosa
Translation to Italian: Eduardo PopescuAdvisor: Rana HamadehPoems: 
Twice ruined our homeland by Fatma Uthman 1928
I have no illness by Alagila camo by Rajab Buhwaish 1932
There will come a day, Said Sifaw, 1946-1994

The texts builds upon the scholarly work of Dr. Ali Abdullatif Ahmeida in documenting the poetry from the survivors of the Libyan concentration camps and oral evidences about the Libyan genocide. 

Co-produced by Centrale Fies IT
Supported by Amarte Fonds NL 
Travel support by Ettijahat Independent cultures&#38;nbsp;




</description>
		
	</item>
		
	</channel>
</rss>