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Written To Not Remain








In Yesterday’s Forecasts



When the Silphium plant was discovered in ancient Cyrenaica (East Libya) after heavy rains and floods that hit the Mediterranean, it became a pillar of the economy and expansion of The Greek and Roman colonies until it was overharvested, heavily exploited, and documented as the first extinction of a species in our natural history. Centuries later, the Silphium returned as a symbol of the fascist reign on the Italian coat of arms when they colonized Libya in 1911, followed by establishing more than seventeen concentration camps where a third of Cyrenaica’s population was exterminated; yet, their poetry survives, and so does the memory of the Silphium.

The performance “In Yesterday’s Forecasts” explores connections between the first documented extinction and the mass-extermination of the Libyan people during the Libyan genocide (1928-1942). The lost Silphium plant and Fascism hidden histories become intertwined in a composition of recitations, soundscapes, visual worlds of the archival and the imaginary, testimonial poems and oralities based on Tamazight and Bedouin poetry. In sonic dialogue with the ancient tradition of millstone grinding known across North Africa as Al Raha.



Credits:
Concept, research and development: Tewa Barnosa
Performers: Tewa Barnosa and ghenwa noire abou fayad
Live sound composition: ghenwa noire
Performance visuals: Dina Jeridini
Light design: Consuelo Donati and Tewa Barnosa
Scenography: Tewa Barnosa
Translation to Italian: Eduardo Popescu
Advisor: Rana Hamadeh


Poems:
Twice ruined our homeland by Fatma Uthman 1928
I have no illness by Alagila camo by Rajab Buhwaish 1932
There will come a day, Said Sifaw, 1946-1994

The texts builds upon the scholarly work of Dr. Ali Abdullatif Ahmeida in documenting the poetry from the survivors of the Libyan concentration camps and oral evidences about the Libyan genocide.


Co-produced by Centrale Fies IT
Supported by Amarte Fonds NL
Travel support by Ettijahat Independent cultures